Filed under: design, graphic design, typography | Tags: distorted helvetica press-type, futura, harperprints, helvetica, horse and buggy press, maggie fost, merge records art, xx merge festival poster
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DESCRIPTION
XX Merge Festival Poster
CLIENT
Merge Records
DATE
April – June 2009
DESIGN CREDITS
Maggie Fost, Merge Records Art Director
PRINT CREDITS
Offset: HarperPrints
Letterpress: Horse and Buggy Press TYPE CREDITS
Futura
(Distorted) Helvetica press-type |
QUANTITY PRODUCED
1,000
PRODUCTION COST
$1,568
PRODUCTION TIME
2 Weeks
DIMENSIONS: WIDTH × HEIGHT × DEPTH
12 in × 18 in
PRINT METHOD
Offset, Letterpress
PAPER STOCK
Starwhite Natural, 80 lb Cover
NUMBER OF COLORS
Offset: 1 Spot
Letterpress: 2 Spot |

To celebrate their 20th anniversary, Merge Records — who released Arcade Fire’s debut record Funeral — held a four-night, thirty-three-band festival, XX Merge, in their hometown of North Carolina this past July. To commemorate the occasion, their art department — who keep a wonderful process blog — created this special edition offset and letterpress poster. The poster features a hand-made paper set replica of the Cat’s Cradle, the venue where the festival was held, and is sprinkled with fun lettering of all the bands’ names. The festival logo (XX Merge) is letterpressed in red, adding a visual and tactile punch to the already cool poster. Merge Records’ art director Maggie Fost shares more on the paper set she built:
It’s a model of the Cat’s Cradle, a legendary rock club in Carrboro, North Carolina where much Merge history has taken place and where the whole festival took place. I went to the club in the middle of the day and took photos of the stage so that my model would be representative. It worked! It was very gratifying that when fans saw the poster, they immediately knew it was the Cradle. I added the trees to give it a sense of fantasy and to suggest North Carolina in the summer. The model is literally made of posterboard and scotch tape.
The trees ended up being realized life-size for the stage by Dave Doernberg, who made them out of foamboard in New York and shipped them down, spraypainting them glossy red outside the club hours before the first band took the stage.
Dave Wofford of Horse & Buggy Press in action.

The poster-inspired set at Cat’s Cradle.

Filed under: design, typography | Tags: fonts, gary hustwit, graphic design, graphicdesign, helvetica, helvetica font, helvetica movie, helveticafilm, typography
A clip from the feature-length documentary Helvetica, by Gary Hustwit.
http://www.helveticafilm.com
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface as part of a larger conversation about the way type affects our lives. Helvetica has been shown at over 200 film festivals, museums, design conferences, and cinemas worldwide.
Filed under: art, design, movie, typography | Tags: aco suzuki, dropclock, erica sakai, helvetica, helvetica dropclock, mitsuru komiyama, on hosaka, screensaver, yugo nakamura
this is a screensaver designed by Yugo Nakamura.
“DROPCLOCK IS AN AESTHETICALLY INTRIGUING MOTION CLOCK SCREENSAVER. EVERY MINUTE OF REAL TIME IS NUMERICALLY EXPRESSED WITH HEAVY HELVETICA DROPPING INTO WATER IN SUPER SLOW-MOTION.”
- Art Direction / Design : Yugo Nakamura
- Film Direction / Edit : Erica Sakai
- Movie Produce: Aco Suzuki
- Camera : Mitsuru Komiyama
- Lighting : On Hosaka
You can download it from here.
Filed under: product design | Tags: designer, gary hustwit, helvetica, helvetica movie, industrial design, objectified, product design
A documentary film about design ( industrial design ), what makes a designer a designer, and what makes us obsessed with form, and discussion on how these products really affect us. Directed by the same fella who created the Helvetica movie, Gary Hustwit.






